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The first specimens
of Chinese porcelain date back approximately to 4000 B.C.
whereas, the white ware, high fired type of pottery
associated with the Tang
Dynasty goes back to somewhere around 500 B.C.
Chinese porcelain of the high-fired kind is called Tzu, where as the low-fired kind is called Tao. Chinese porcelain has been categorised in two major groups,
"Chinese taste" and "Export"
Broadly speaking, Chinese taste type of porcelain is all that was made mainly for the
Asian markets; this can further be divided into two
categories. The first is Imperial kiln/ware or Guan
yau, which as the name suggests, was made for the
Chinese Emperors and their families. The first exclusive
kiln set up to manufacture porcelain only for the Chinese
royalty was set up in Jingdezhen
during the Yuan
dynasty. From that time onwards and into the Ming
and Qing dynasty
periods, Porcelain for the emperors and their households
were made in this separate kiln. Jingdezhen
became a hub for Chinese Imperial porcelain during the Yuan
and Ming dynasties
and can still boast of
a flourishing porcelain industry.
The other type of
Chinese taste porcelain or the Min
yao or people’s ware is most of the Chinese porcelain
that we see today. It consists of household articles made
for the Asian lifestyle. Not very much of evolution has
taken place in this type of Porcelain.
Chinese taste
porcelain, both of the Imperial ware and People’s ware
kind has another distinguishing feature called the base
marks. These base marks are rarely present on the export porcelain articles. Antique pieces of porcelain, made in the Imperial kiln, not only have base
marks but also Period marks or nian
hao. These period marks make it easy to discern which
period, a particular piece of Chinese Imperial porcelain
belongs to. Skilled artists, who probably spent their entire
lives painting one specific mark, put these base marks on
porcelain objects.
Chinese
export porcelain on the other hand, is porcelain made
for use outside China. This has also got categorized into
the porcelain for the Western markets, specifically for
Europe and United Sates of America, the Oriental porcelain,
which is meant for the Near East and India, and the
porcelain for Japan. All of these three categories of Export
porcelain rarely comes with base marks, whereas the
porcelain made for South East Asia mostly comes with base
marks.
Trade in Chinese
porcelain started with the Dutch in the middle of the 17th
century. Soon Chinese porcelain started becoming more and
more popular and highly priced in Europe especially those
antique pieces belonging to the Ming
dynasty. The Ming dynasty
period was
known as the Golden Era in China and produced some of the
finest works of art like
during the Renaissance period in Europe. Towards the 18th
century, exports in Chinese porcelain spread widely across
Portugal, Spain, England, France, Sweden, Germany, Norway
and other parts of Europe as well as further within Asia
too.
Porcelain trade took
on the form of a near revolution in the way it not only
spread but also created new varieties and forms of exquisite
porcelain from different parts of the world due to the
cultural exchange brought about by trade. Not only did
Chinese porcelain become very popular in Europe, it also
inspired European ceramists to incorporate and merge Chinese
styles with their own. The result was a rich cultural
exchange of art styles between the East and the West. This
exchange enriched both forms of ceramics. While Chinese
manufacturing and skill had great impact on the European
Ceramic industry, the Chinese ceramic world was also
enriched by the various art styles with increased contact
with Europe. Although Europe achieved considerable success
at making its own porcelain, Chinese porcelain still
continued to be extremely popular.
Trade in Chinese Porcelain played a very
important role in popularising this industry globally;
creating a higher associated value proposition, thus giving
it the exclusivity it is associated with.
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